Track Review: Motion – Of The Night

By Kieran Cannon (@kiercannon)

Scotland has something of a pedigree when it comes to post-punk. Two prominent indie labels, Fast Product in the capital and Glasgow’s Postcard Records, formed during the peak years of the movement spanning the late 70’s/early 80’s, not to mention a wealth of acts including Simple Minds and Cocteau Twins. It comes as no surprise, then, that some of the most compelling artists to emerge from the country in recent years happen to fall under that very same banner.

Enter Motion. The Edinburgh-based psych rock outfit proudly wear their influences on their sleeves, bonding over a shared love of The Jesus and Mary Chain and The Stone Roses. Make no mistake though, they’re out to forge their own legacy. Last year’s Motion EP relied rather heavily on the shoegaze template but it demonstrated plenty of promise and featured some solid tracks, particularly Everything – a marriage between Kitchens of Distinction’s wall of sound and the ominous basslines of Peter Hook.

Their latest single Of The Night isn’t a radical departure from the EP; instead, it’s a subtle evolution, one which begins to take them in a new direction. They’ve cleaned up the production, scaled down the reverb and in the process managed to set themselves down the path towards establishing their own sound. The vocal delivery is reserved, perhaps borderline deadpan, yet the guitar is summery and infectiously upbeat, meshing together to create a satisfying contrast of textures.

All three musicians are adept at laying down the foundations of a track, this much has been apparent since last year’s material – engaging melodies and tight drumming. Of The Night signals their first conspicuous effort to go further and introduce more diversity, more developments in between choruses. It always helps to have a killer riff to bounce off, though, and Band’s is truly an earworm; it’s safe to say it will hang around in your memory for a good while. One point worth mentioning is that, although not necessarily a negative, the lyrics are relatively straightforward. With time, though, their songwriting will surely continue to develop and greater expression will follow suit.

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